DESCRIPTION OF MARY I
by The Venetian Ambassador
(1557)
Giovanni Michieli was the Venetian Ambassador to Mary's court. He produced the following detailed description of the Queen. Toward the end, he mentions Mary's infamous menstrual problems, the cause of great physical and psychological stress for the Queen.
She is of low rather than of middling stature, but,
although short, she has not personal defect in her limbs, nor is any part of her
body deformed. She is of spare and delicate frame, quite unlike her father, who
was tall and stout; nor does she resemble her mother, who, if not tall, was
nevertheless bulky. Her face is well formed, as shown by her features and
lineaments, and as seen by her portraits. When younger she was considered, not
merely tolerably handsome, but of beauty exceeding mediocrity. At present, with
the exception of some wrinkles, caused more by anxieties than by age, which
makes her appear some years older, her aspect, for the rest, is very grave. Her
eyes are so piercing that they inspire not only respect, but fear in those on
whom she fixes them, although she is very shortsighted, being unable to read or
do anything else unless she has her sigh quite close to what she wishes to
peruse or to see distinctly. Her voice is rough and loud, almost like a man's,
so that when she peaks she is always heard a long way off. In short, she is a
seemly woman, and never to be loathed for ugliness, even at her present age,
without considering her degree of queen. But whatever may be the amount deducted
from her physical endowments, as much more may with truth, and without flattery,
be added to those of her mind, as, besides the facility and quickness of her
understanding, which comprehends whatever is intelligible to others, even to
those who are not of her own sex (a marvellous gift for a woman), she is skilled
in five languages, not merely understanding, but speaking four of them fluently
- English, Latin, French, Spanish, and Italian, in which last, however, she does
not venture to converse, although it is well known to her; but the replies she
gives in Latin, and her very intelligent remarks made in that tongue surprise
everybody....
Besides woman's work, such as embroidery of every sort with the needle, she also
practices music, playing especially on the clavichord and on the lute so
excellently that, when intent on it...she surprised the best performers, both by
the rapidity of her hand and by her style of playing. Such are her virtues and
external accomplishments. Internally, with the exception of certain trifles, in
which, to say the truth, she is like other women, being sudden and passionate,
and close and miserly, rather more so than would become a bountiful and generous
queen, she in other respects has no notable imperfections; whilst in certain
things she is singular and without an equal, for not only is she brave and
valiant, unlike other timid and spiritless women, but she courageous and
resolute that neither in adversity nor peril did she ever even display or commit
any act of cowardice or pusillanimity, maintaining always, on the contrary, a
wonderful grandeur and dignity, knowing what became the dignity of a sovereign
as well as any of the most consummate statesmen in her service; so that from her
way of proceeding and from the method observed by her (and in which she still
perseveres), it cannot be denied that she shows herself to have been born of
truly royal lineage.
[She is also subject to] a very deep melancholy, much
greater than that to which she is constitutionally liable, from menstrous
retention and suffocation of the matrix to which, for many years, she has been
often subject, so that the remedy of tears and weeping, to which from childhood
she has been accustomed, and still often used by her, is not sufficient; she
requires to be blooded either from the foot or elsewhere, which keeps her always
pale and emaciated.
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